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Becomes clear an extensive description of Deep Blue Sea below:
- Original Title : Deep Blue Sea
- Movie title in your country : Deep Blue Sea
- Year of movie : 1999
- Genres of movie : Action, Science Fiction, Thriller,
- Status of movie : Released
- Release date of movie : 1999-07-28
- Companies of movie : Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership,
- Countries of movie : Australia, United States of America,
- Language of movie : English,
- Durationof movie : 105 Min
- Average vote of movie : 5.6
- Youtube ID of movie : gpdab_bi2HY
- Translation of movie : PL,EN,RO,RU,FR,SV,ES,JA,PT,CS,DA,UK,HE,PT,EL,TR,CA,DE,IT,NL,ZH,HU,KO,
- Actors of movie :Tajsha Thomas (Friend of Janice), Brent Roam (Helicopter Winch Operator), Saffron Burrows (Dr. Susan McCallister), Samuel L. Jackson (Russell Franklin), Erinn Bartlett (Girl #1), Eyal Podell (Boy #1), Daniel Rey (Helicopter Pilot), Thomas Jane (Carter Blake), Sabrina Geerinckx (Girl #2), LL Cool J (Sherman 'Preacher' Dudley), Jacqueline McKenzie (Janice Higgins), Aida Turturro (Brenda Kerns), Frank Welker (Parrot Noises (voice)), Valente Rodriguez (Helicopter Co-Pilot), Stellan Skarsgård (Jim Whitlock), Dan Thiel (Boy #2), Cristos (Boat Captain), Michael Rapaport (Tom "Scoggs" Scoggins)
Deep Blue Sea is one movie excreted by Village Roadshow Pictures, Warner Bros., Riche-Ludwig Productions, Groucho III Film Partnership, with the use of a description of the movie is "On a remote former submarine refueling facility called Aquatica, a team of scientists are searching for a cure for Alzheimer's disease. Dr. Susan McAlester genetically engineers three Mako sharks, intending to increase their brain capacity so that they can harvest the tissue as a cure for Alzheimer's. Unfortunately, the increased brain capacity also makes the sharks smarter, faster, and more dangerous. Aquatica's financial backers are skeptical and nervous about the tests, and send a corporate executive to visit the facility.". The film was produced with excellent graphic quality, best sound quality and finest starring actors.
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Production Design : Joseph Bennett, Supervising Sound Editor : Robb Wilson, Set Decoration : Debra Echard, Costume Design : Mark Bridges, Sound Effects Editor : Adam Johnston, Sound Effects Editor : Jayme S. Parker, Location Manager : Michael John Meehan, Projection : Tom Ajar, Special Effects Coordinator : Sergio Jara, Camera Operator : Leo J. Napolitano, Costume Supervisor : James W. Tyson, Animation : Bruce Pearson, CG Supervisor : John E. Sasaki, Orchestrator : Tom Calderaro, Underwater Camera : Pete Romano, Executive Producer : Jonathan Schwartz, Visual Effects Supervisor : Jerry Pooler, Additional Camera : Frederick Iannone, Animation Supervisor : Ken Stranahan, Sculptor : Jim McPherson, Unit Manager : Rafael Cuervo, Rigging Gaffer : Ismael 'Izzy' Gonzalez, Additional Editing : Kevin Stitt, Assistant Art Director : David Sandefur, Editor : Derek Brechin, Set Designer : Javier Nava, Assistant Costume Designer : Karla Stevens Flanigan, First Assistant Camera : Frank Flick, Construction Coordinator : Gary Deaton, Makeup Artist : Allan A. Apone, Music Editor : Will Kaplan, Construction Foreman : William Apperson, Visual Effects Supervisor : William Mesa, Video Assist Operator : Jeff Burrage, Camera Operator : Guillermo Rosas, Production Sound Mixer : Tim Cooney, Production Design : William Sandell, Set Designer : Bill Taliaferro, Set Costumer : Carrie Bauer, Supervising Sound Editor : J. Paul Huntsman, Casting : Christine Sheaks, Foley : Catherine Harper, Property Master : Eric J. Bates, Camera Operator : Marc Spicer, Electrician : Matt Buchan, Transportation Captain : Hugo Chew, Storyboard : Gary Damian Thomas, Visual Effects Supervisor : Craig A. Mumma, Visual Effects Editor : Kevin Clark, Screenplay : Wayne Powers, Supervising Art Director : Bruce Crone, Assistant Art Director : Nick Navarro, Set Designer : Karl J. Martin, CGI Supervisor : Serge Sretschinsky, Set Medic : Sarah Catizone, Visual Effects Producer : Kristen Branan, Visual Effects Editor : Steve Shaw, Dialogue Editor : John F. Reynolds, Steadicam Operator : Mark Emery Moore, Stunt Coordinator : R.A. Rondell, Visual Effects Producer : Scott Dougherty, Additional Music : Michael Jay, Production Accountant : Armando Amador, Visual Effects Producer : Heather Smith, Script Supervisor : Portia Tickell, Producer : Alan Riche, Visual Effects Supervisor : Jeffrey A. Okun, Unit Production Manager : Todd Arnow, Production Illustrator : Harald Belker, Stunts : Lesley Aletter, Foley : Kevin Bartnof, Property Master : Jerry Moss, Mechanical Designer : Larry Cheng, Casting Associate : Cassandra Kulukundis, Digital Compositors : John Rauh, Set Production Assistant : Jose Jimenez, Standby Painter : Anthony Gaudio, Gaffer : Mick Morris, ADR & Dubbing : Hugh Waddell, Director : Renny Harlin, Still Photographer : Merie Weismiller Wallace, Co-Producer : Rebecca Spikings, Editor : Dallas Puett, Color Timer : Dale E. Grahn, Visual Effects Supervisor : Rebecca Marie, Hairstylist : Robert L. Stevenson, Assistant Sound Editor : Catherine Calleson, Driver : Rick Kelleher, Supervising Art Director : Mark W. Mansbridge, Production Office Coordinator : Francis Meade Warner, Art Direction : Héctor Romero, Producer : Akiva Goldsman, Post Production Supervisor : Ilyse A. Reutlinger, Associate Producer : Thomas J. Mack, Unit Publicist : Peter J. Silbermann, Special Effects Supervisor : John Richardson, Animation : Constance Bracewell, Assistant Art Director : Ligia Ornelas, Script Supervisor : Kelly Moon, Screenplay : Donna Powers, Visual Effects Editor : Lincoln Kupchak, Visual Effects : Joshua I. Kolden, Digital Effects Supervisor : Simon Giles, Original Music Composer : Trevor Rabin, Key Hair Stylist : Peter Tothpal, Transportation Coordinator : Russell McEntyre, Visual Effects Coordinator : Jack Geist, Camera Operator : Gregory J. Schmidt, Music Editor : Dick Bernstein, Executive Producer : Duncan Henderson, Visual Effects Editor : Scott Balcerek, Set Dressing Artist : Chris Adams, Grip : Gustavo Covarrubias, Visual Effects Editor : Mark Eggenweiler, Boom Operator : Todd Bassman, Sound Recordist : Rick Hromadka, Utility Stunts : Joey Box, Executive In Charge Of Production : Mark Scoon, Associate Producer : Patrick Lynn, Executive Producer : Bruce Berman, Makeup Department Head : Jeff Dawn, Second Unit Cinematographer : Gary Capo, Sound Re-Recording Mixer : John T. Reitz, Sound Effects Editor : Andrew Somers, Director of Photography : Stephen F. Windon, Dialogue Editor : Patrick J. Foley, Editor : Frank J. Urioste, Best Boy Electric : R. Gern Trowbridge, Animation : Julie Nelson, Visual Effects Producer : Thomas Boland, Art Department Coordinator : Beth Bajuk, Aerial Coordinator : David Paris, Production Manager : Anthony Franco, Camera Operator : Phil Pastuhov, Producer : Don MacBain, CG Supervisor : Douglas R. MacMillan, Assistant Art Director : Jonathan McKinstry, Art Direction : Andrew Rothschild, Lighting Technician : Bruce Sharp, Screenplay : Duncan Kennedy, Leadman : Russell R. Anderson, Assistant Director : Thomas J. Mack, Production Office Assistant : Jason D. McGatlin, Rigging Grip : Jonas Juhanson, Visual Effects Supervisor : Jamie Dixon, Producer : Tony Ludwig, Prosthetic Makeup Artist : Chad Atkinson, Production Supervisor : Anna Roth
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Tags: shark attack, shark, alzheimer's disease, killer shark, no opening credits,
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