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It is clear a full description of The Chronicles of Riddick below:
- Original Title : The Chronicles of Riddick
- Movie title in your country : The Chronicles of Riddick
- Year of movie : 2004
- Genres of movie : Action, Science Fiction,
- Status of movie : Released
- Release date of movie : 2004-06-11
- Companies of movie : One Race Films, Radar Pictures,
- Countries of movie : United States of America,
- Language of movie : English,
- Durationof movie : 119 Min
- Average vote of movie : 6.3
- Youtube ID of movie : cSqQxoT3wMQ
- Translation of movie : FR,RO,ET,EN,DE,LT,HR,RU,ES,SR,HU,DA,NL,PL,ZH,NO,CS,SK,BG,FI,TH,KO,HE,PT,UK,IT,TR,PT,SV,EL,
- Actors of movie :Colm Feore (Lord Marshal), Vin Diesel (Riddick), Karl Urban (Vaako), Raoul Ganeev (Slam Guard), Alexis Llewellyn (Ziza), Terry Chen (Merc Pilot), Judi Dench (Aereon), Thandie Newton (Dame Vaako), Charles Zuckermann (Scales), Yorick van Wageningen (The Guv), Alexa Davalos (Kyra), Nick Chinlund (Toombs), Christina Cox (Eve Logan), Kim Hawthorne (Lajjun), Roger R. Cross (Toal), Mark Gibbon (Irgun), Nigel Vonas (Merc), Linus Roache (Purifier), Keith David (Imam)
The Chronicles of Riddick is the very best movie created by One Race Films, Radar Pictures, with the help of a description of the movie is "After years of outrunning ruthless bounty hunters, escaped convict Riddick suddenly finds himself caught between opposing forces in a fight for the future of the human race. Now, waging incredible battles on fantastic and deadly worlds, this lone, reluctant hero will emerge as humanity's champion - and the last hope for a universe on the edge of annihilation.". The film was produced with excellent graphic quality, best ear busting sound quality and best starring actors.
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First Assistant Camera : Aristidi Georgiopoulos, Sound Designer : Bryan Bowen, Production Sound Mixer : Rob Young, Executive Producer : George Zakk, Makeup Artist : Christien Tinsley, Set Costumer : Janice Gardner, Assistant Editor : Lorie Olson, Dialogue Editor : Daniel S. Irwin, Producer : Vin Diesel, Camera Operator : Mike Thomas, Assistant Editor : Maggie Ostroff, Art Department Coordinator : Kirstin Mooney, Set Designer : David Chow, Camera Loader : Corey Robson, Storyboard : Benton Jew, Assistant Art Director : Nick Navarro, Assistant Property Master : John Sweeney, Set Costumer : Anne Burke, Set Designer : Dean Wolcott, Key Makeup Artist : Victoria Down, Set Dresser : Gordon Stewart, Associate Producer : Wendy Williams, Set Designer : Ginny Sakamoto, Property Master : Tommy Tomlinson, Director : David Twohy, Art Direction : Sandi Tanaka, Costume Supervisor : Bob Morgan, Sound Designer : Jon Title, Camera Operator : Scott MacDonald, Set Dresser : Jim Campbell, Storyboard : Collin Grant, Set Costumer : Eliza Lau, Transportation Captain : Cliff Brown, Assistant Costume Designer : Lesley Neufeld, Gaffer : Drew Davidson, Script Supervisor : Kelly Moon, Assistant Editor : David Matusek, Boom Operator : Donald D. Brown, Casting Assistant : Josie Ochej, Camera Operator : Ian Fox, Set Dresser : Darian Deering, Art Direction : Mark W. Mansbridge, Director of Photography : Hugh Johnson, First Assistant Editor : Emily Wallin, Transportation Captain : Jack Lopatinsky, ADR Editor : Kerry Dean Williams, Executive Producer : Ted Field, Sound Re-Recording Mixer : Rick Kline, Second Assistant Director : David Ticotin, Dialogue Editor : Michael Hertlein, Makeup Artist : Richard Dean, Casting : Anne McCarthy, Set Decoration : Peter Lando, Art Department Assistant : Venessa De Anda, Editor : Dennis Virkler, Sound Effects Editor : Bryan Celano, First Assistant Camera : Bob Findlay, Supervising Music Editor : Joshua Winget, Supervising Art Director : Kevin Ishioka, Production Supervisor : John Kreidman, VFX Supervisor : Tom Debenham, Assistant Art Director : Maya Shimoguchi, Casting Associate : Jay Scully, ADR Editor : Michael Hertlein, Key Hair Stylist : Ian C. Ballard, Set Costumer : Summer Eves, Visual Effects Supervisor : Peter Chiang, Art Department Assistant : Jonas Mayabb, Casting : Mary Selway, Assistant Costume Designer : Christine Coutts, Production Manager : Jeremy Johns, Sound Designer : Scott Martin Gershin, Assistant Art Director : Vivien Nishi, Assistant Costume Designer : Gail L. Smith, Unit Manager : Mandy Spencer-Phillips, Producer : Scott Kroopf, Dialogue Editor : Thomas Jones, Assistant Sound Editor : David Stanke, Visual Effects Art Director : Steve Burg, Casting Assistant : Suzanne Ward, Transportation Coordinator : Sylvia Nablo, Set Designer : Luke Freeborn, Post Production Supervisor : Lisa Rodgers, Casting Associate : Freddy Luis, Costume Design : Ellen Mirojnick, Property Master : D. Brent Lane, Set Costumer : Daevina Danyluck, Set Costumer : Christine Kunicki, Sound Effects Editor : Harry Cohen, Set Costumer : Marco Daxton, Steadicam Operator : James Muro, Visual Effects Producer : Denise Davis, Hairstylist : Debra Wiebe, Casting : Coreen Mayrs, Additional Editing : Tracy Adams, Set Designer : Mark Hitchler, Visual Effects Producer : Allen Maris, Set Designer : Adrian Gorton, Sound Effects Editor : Michael Kamper, Stunt Coordinator : Dean Choe, Set Costumer : Lauren M. Walker, Key Grip : Kim Olsen, Boom Operator : Jon Lavender, Editor : Martin Hunter, First Assistant Camera : Lee Blasingame, Storyboard : Phillip Norwood, Negative Cutter : Mo Henry, Set Costumer : Elizabeth Merrie, Production Coordinator : Bliss McDonald, Sound Re-Recording Mixer : Chris Jenkins, Visual Effects Editor : Sara Hyoun, Production Sound Mixer : Tim Richardson, Characters : Ken Wheat, VFX Supervisor : Jesper Kjölsrud, Construction Coordinator : Jan Kobylka, Set Designer : Ernie Avila, Special Effects Coordinator : William H. Orr, Set Costumer : Andra Norton, Music Editor : Ashley Revell, Set Designer : A. Todd Holland, ADR Supervisor : Hugh Waddell, Sound Re-Recording Mixer : Frank A. Montaño, Set Designer : Richard F. Mays, Set Costumer : Jeffrey Fayle, Best Boy Electric : Steve Vincent, Costume Design : Michael Dennison, Best Boy Electric : Teya Sellan, Set Designer : Andrew Li, First Assistant Editor : Robert C. Lusted, ADR Editor : Daniel S. Irwin, Makeup Effects : Ve Neill, VFX Supervisor : Mike Wassel, Sound Effects Editor : Hector C. Gika, Additional Editing : Rick Shaine, Set Costumer : Keith A. Parent, First Assistant Camera : Theo Eglseder, Production Design : Holger Gross, Visual Effects Producer : Kimberly Nelson LoCascio, Sound Designer : Peter Zinda, Set Dresser : Mecca Thornhill, Still Photographer : Joseph Lederer, Set Designer : Victor James Martinez, Assistant Property Master : Tyler Patton, Set Designer : Josh Lusby, Co-Executive Producer : Tom Engelman, Art Department Assistant : Joanne McArthur, Production Accountant : Mark Mayer, Assistant Editor : Richard Long, Unit Publicist : Lee Anne Muldoon, Stunt Coordinator : Bob Brown, Sound Designer : Ann Scibelli, Set Dresser : Jamie Westbury, Unit Production Manager : Wendy Williams, Dialogue Editor : Kerry Dean Williams, Costume Supervisor : Dawn Y. Line, VFX Supervisor : Jamie Dixon, Costume Supervisor : James W. Tyson, Camera Operator : James Muro, Set Costumer : Margaret Perry, First Assistant Director : William M. Elvin, Art Direction : Bruce Crone, Executive Producer : David Womark, Orchestrator : Tim Simonec, ADR Editor : Thomas Jones, Sound Effects Editor : Bruce Tanis, Characters : Jim Wheat, Assistant Editor : Kevin Willis, Writer : David Twohy, Set Costumer : Danise Lee, Set Costumer : Lenore Martinolich, Set Designer : Pamela Klamer, Construction Foreman : John Dale, Set Designer : Andrew Menzies
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Tags: prison, dystopia, matter of life and death, outer space, intergalactic travel,
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